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"Now I am here, you will sing me something," says Geoffrey, presently. There is a pause. Mona says nothing, but taking out the flower that has lain upon her bosom all night, pulls it to pieces petal by petal. And this is unlike Mona, because flowers are dear to her as sunshine is to them. She is distraite and silent all the morning, taking small notice of what goes on around her. Geoffrey, perplexed too, in spirit, wanders vaguely from pillar to post, unable to settle to anything,—bound by Mona to betray no hint of what happened in the library some hours ago, yet dying to reveal the secret of the panel-cupboard to somebody..

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It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips. "I do not," she says, sweetly. "I could not: it is my dearest remembrance; and somehow it has made me strong to conquer, Geoffrey,"—flushing, and raising herself to her full height, as though already arming for action,—"I feel, I know, I shall in the end succeed with your mother." "Do not stir," says Mona, hastily, pointing to the bloodhounds. Allspice has risen—so has the hair on his back—and is looking thunder-claps at Paul. A low growl breaks from him. He is plainly bent upon reducing to reason whosoever shall dispute the will of his beloved mistress. "The dogs know their orders, and will obey me. Down, Allspice, down. You will do well, sir, to remain exactly where you are," continues Mona. "Anything to please you," says Geoffrey, who is laughing by this time. "May I trust my precious bones to Mazerin? He is quite fifteen, has only one eye, and a shameless disregard for the whip.".